“The door opens slowly” – Nayana Nair

I turned another corner
and walked into another house
that I knew nothing about.
The owner, the god of this land stood there
outside in the garden
telling a child how to create more beautiful loops,
how to somersault,
how to find more worms, more of everything.
An adult placed like a talisman
that couldn’t keep me
or what I bring with me away.
He didn’t even notice the grave that I carried in me,
the open pits in ground awaiting more bodies.

I walked to the front door and rang the bell
thinking, wondering what must I not be seeing
in the person I see as a fool.
I wonder if the graves in him didn’t love him back as well.
The door opens slowly and I wait.
I let my willingness to wait announce to her that it is me.
She makes me a wait a bit more-
that is the nature of game we are caught in.

Seconds and hours I spend on her couch,
waiting for the commotion outside to end,
for “the happy family on a sunday morning” to end.
She has four brother
and an almost sister that they never talk about.
She reminds me this a few more times
so that on the mental map of belonging and similarities
I find this unnamed sister closer to my role.

They rush in like a flood, like a rain gone wrong-
all these bodies that I am not supposed to see.
“They are perfect”, I thought to myself.
I thought of my mother, the anger in my home,
the counting of countless miseries,
the coarse harsh words that filled my eyes, then filled my mouth,
the gentle sunsets that drown only dreams.
“They are perfect”, I think, “for someone living in the same world as me”.

She tells them about my scholarships, about my fragile upbringing,
about the art that runs in me.
She tells them all about the things that they like.
For today she has made them into me.
I smile and say a little too less.
I smile as if I mean no harm.

But I know
I am here.
I am here and there is no escape
from the fact that eventually
I will sit in this room with my love
and with a glitter pen running out of ink.
I will draw, deepen the cracks that I already see.

Such is my nature.
Such are the songs that I live on repeat.

“Remaining Life” – Nayana Nair

Hand me back my fear.
Remove all signs of caution.
Anyway, I am dying slowly.
I don’t want to know more.
I don’t want to know better.
Come into my mind.
Here there is no better.
There are only picture frames that do not break
even when they have lost the images they lived for.
It is not the persisting lack in me that makes me feel hollow.
It is the life remaining in my dying organs,
all the reasons that I have for living,
my willingness to invent a reason if needed.
All the substance that hides my lacking
highlights the vacancy in me.

“Part and Parcel” – Nayana Nair

That day when it rained of
bruised and dying birds
of feathers marked with colors only
an arrogant and confident cruelty can cause,
everyone looked about for an umbrella
to protect themselves from this vision
that they didn’t want to witness.
This was not the historic moment
that they wanted to be part of.

I could understand their willingness to believe
that the marks of fingers in the blood and bodies
that filled up the roads
can be called natural causes.
It was probably better
than knowing the names of people whom we may have laughed with
only to know they know how to fly,
how to clip wings and suspend the decaying bodies in air
for eternities,
while we asked them the directions for our life,
while we asked them to tie up our laces as a child,
while we asked them to love us, and build a new life.

I guess even the innocent
got fed up of being looked at like a potential danger
or tired of looking for one.
It was probably more convenient to come to an understanding,
of agreeing on a made-up fact
that this all is part and parcel of being a bird in the sky,
that birds should know better than to fly,
and tempt innocent humans into life of crime.
Birds at their best should just chirp joyfully
and let everything slide.