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"Ports" – Nayana Nair

a blue cloudy sky over a banana plantation.
the only word to be heard – rebellion.
someone is crying far away.
another round of bullets leave the shaking hands
of the one who can’t seem to stop crying.
now he must die just like me.
he rests his bloody head and its murky thoughts on me.
in this last afternoon of my life
i drift into bouts of darkness,
without fear for first time,
with the company of only his confused memories.
will this be my last dream – his life?
even in his head my homeland and its afternoons are beautiful.
he has a face that he doesn’t want to forget,
he has childhood home he can always return to
but he didn’t, he regrets it now.
he remembers the red color that his sister
stopped wearing on her lips
once her heart was broken badly.
how he kept it with himself, as a symbol of happiness
that he can’t have only for himself.
there are ports on rainy days
and buildings that became sadder at night.
he once painted the window that would never open to him
or anyone else for that matter.
he cried when another nameless woman was found lifeless
on the last page corner of newspaper
and the window never lighted anymore.
there is a cafe filled with few bombs that didn’t go off
where the only one spared was him.
he doesn’t want to be spared anymore.
i wonder if he thinks that he can have happiness when he ends.
i wonder if i will be able to smile on a rainy day, even if i am born again.

“you are lovely” – Nayana Nair

“you are lovely”

“you make me forget the unpleasantness of my life.
so i will call this love.
calling you my love is the only way
that i can depend on you without feeling weak.”

“i dreamt of you
sitting and singing on the blue couch
of my childhood home.
home that my parent’s respective loves burnt long ago.
you remind me of hope now.”

“i hold your name more dearly than your hand,
because your hands are so human that i can’t seem to love them
the way i love you.
i stop myself from telling you
how my own humanness makes me hate myself.
have you heard of the heart that changes it’s mind too often
that abandons as easily as it takes up new obsession,
that makes us miserable even when we should be happy,
even when we have all we want.
i have that. you have that.
that’s what i hate. that’s what i fear.
i stop myself from telling you
how often i wonder
that even this love for you might be a grand way of looking
at the easy way out.”

“the darkness that she sings for me” – Nayana Nair

Posted on

i am in love
with the woman who sings and
becomes the background
of my every night.

i like to listen to her voice
as she takes my every second
keeps it out of my reach,
teaches me some really suspicious ways
to keep myself safe from the her demons.

she glows in the darkness that she sews
only for me,
for me to hold her hand the way
she will never be held,
the way i will never be held.

i hate to cry,
i have cried for a long time
for people who called me their option
when i was out of earshot
my tears are cheap, now all they do
is make me feel equally cheap
but the tears i shed for her life are beautiful
the tears i shed for her (who feels like me)
stops me from taking pills i don’t need.

another lover of hers sat opposite me few days ago.
she looked so much like her.
it made me wonder if i looked like her as well.
i wonder she knows her lovers are running amok
in the world that she paints with her pain.
i wonder if she knows that we are catching all her fears,
staying away from guys who speak like her ex,
staying away from the patterns she has pointed out.

i wonder if she knows
that we tell strangers “she sings well, she writes well”
when we want say
“she made me embrace the woman in me
that i have been trying to kill for a long long time.
she stood in my moonlight
counting all the daggers that make her bleed every day,
the same daggers that i fear to acknowledge,
telling me about the exact number of days it takes to collapse again,
about the face, her heart, and her womb that are for anyone’s taking,
about her rage, her mind, and her will that she was allowed to keep.
how she wanted to give up last night.
how giving up can become a concept of life every easily
but she didn’t want that,
because she didn’t want to be
the sad pathetic corpse of the woman
that the world said she would eventually be.”

i am in love with the woman
who wants me to be more than a silent background.

“Last to know” – Nayana Nair

Posted on

I regret to tell you this
that the blue sky that you died for
is not longer blue.
It is painting its face with remains
of our greed, with the colors of our wars.
But it is still sort of fair.
It is trying hard not to choose sides,
not to become the flags that unites
only those whose favorite words are
‘future’, ‘safety’,’money’, ‘greatness’,
while they clutch in their hands the fate of people
they don’t identify with-
‘burden’ they call them.
‘Fear’ is another favorite word of theirs.
They don’t speak much of it, but it is most useful
or at least that’s what I have heard
from the ones we are no longer allowed to call out or even mock.
I have lost every bit of my passive aggressiveness.
Life has become more bearable
now that my skin is not broken for making too much noise,
now that we have learnt to hold each other’s tongue
so that we may not lose more friends than we already have.
I regret to tell you
that your dreams will remains dreams
and you might be one of the last to know
how dreams felt in your eyes,
how tomorrow used to change by effort.

“maintain my world” – Nayana Nair

and this sad premise is not a commentary
on how rotten the world is
but an observation
that we have a pattern that is hard to break.

that people often misinterpret the habit of one thing
as a proof of its superiority over everything else in world.

that words can move your heart,
sometimes for worse.
it can move you towards hatred, towards fear
towards anger that is not your own.

that the wish to be right
makes us forget how to wear someone else’s shoes
or their color or their nationality or their body.
a body that is no longer their own – now that
they are just a sack of blood, a sacrifice
to please our personal gods – our thirst of power
and the “better world” that no one else wants.

this sad premise is not a commentary
on how rotten the world is
for i do not have the courage to write the worst
or to imagine how i am right now walking
over faceless nameless beings to maintain my world
just like you.

“ellipsis” – Nayana Nair

i can’t…i just can’t bring myself to remove all the ellipsis…that i leave behind in my sentences. i know they look shabby… as if i don’t know how to create proper sentences…as if i have never heard of a comma. i am told it is something similar to ending and pausing sentences with “you know”.

“so juvenile”…my friend had commented. i remember saying the same words to my friends as well (but i don’t think my tone was the same, but i could be mistaken…or self righteous)…so it seems i am not allowed to take it to heart. i am supposed to erase the ellipsis…till they smile again and lie that “i will do better”…or that “it’s time i grow up”…or “gotta become a real poet”.

it seems it is okay to store my ellipses in my mind
to place it on an empty sky,
on the face of my teacher sprinkled with a hatred that i can’t understand,
on the hands that never reach out to me in daylight,
on the future i can’t seem to dream about,
on every minute that i walk alone on the streets
where i thought i would never have to be alone,
on the days when i know the answer but won’t speak up
for the fear of being right.
i don’t know how to live a life
where what i think has importance or the acceptance of others.
need to find a better home for my pauses
than pages that are mine
but only with conditions.

“Cheap Literature” – Nayana Nair

Don’t ask which part of me
are easier to love.

I have tried so hard
to become someone who cannot be be loved
without effort or tears.

My faith in love,
my faith in those who love
or it’s absence
is not so difficult to explain.

Clue: Every pop song that leaves you in shambles.
Clue: The books that you call cheap literature.
Clue: The lovers who want to get to the happy ending fast, so they can think about and focus on more important stuff.
Clue: The sappy feelings that you are not interested in.

Those who first talk of my skin and my volume when they talk of love.
(I mean you.)
Those who think that my view of the world, and how the world views me
is just a phase that won’t hopefully be their burden for life.
(I mean you.)
Those who tell me about my selfishness, my unreasonable fears, my unstable suspicious tiring mind over lunch as they run their blade over every bit of exposed skin of mine. Those who are satisfied when I don’t even wince as I bleed, just the way I have been trained.
(I mean you.)
You have made this whole process
more difficult than it should be.

Don’t ask me the easy way.
I might just begin to hate you for that question.

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